Abstract:
在中国艺术史上有着两种对美的认知,即自然之美和雕饰之美,而寿山石雕刻艺术美正是这两种美感自然融合,完美的统一,而笔者所谈的田黄薄意雕刻艺术之美,正是达到"绚烂之极归于平谈"的境界之代表。
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雕塑
Year: 2009
Issue: 02
Page: 64-65
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ESI Highly Cited Papers on the List: 0 Unfold All
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30 Days PV: 0
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